An innocent conversation about a new car between a Juggalo boyfriend and girlfriend devolves into an existential, harrowing relationship crisis surrounding infidelity, family and their (possibly fabricated) deepest darkest secrets.

Comedy series about door-to-door sales life in the vein of Reno 911.

A romantic comedy about a depressed salesman coping with a cheating wife, his sadistic boss and the beautiful sales rep hired to replace him.

Alister, the leader of a young sales force who deals in cutlery, appears to be a passionate entrepreneur but it turns out he is a pawn, lost in a multilevel marketing scheme.

A group of wildly diverse sales people do battle against each other, a changing media landscape, and their own wacky customer base at a big city radio station.

Asleep or wounded? Are the soldiers dreaming of archives or are the archives dreaming of them? From the Vietnamese-Cambodian border, a son posted to the front writes to his father, who lived through the First Indochina War: two wars, two generations, and weary bodies starting over. In the guardhouse, the soldier is on watch. In the night, the coucal becomes his ears, his vigilance, his breath. So long as it is singing, he can breathe. When it falls silent, danger is near.

A young woman faces a moral dilemma when she witnesses a sexual encounter in a dressing room at the clothing store where she works.

“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”

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An archive-based feature documentary viewing the dramatic climax of the Cold War through the lens of the ABC network, as it narrowly succeeds in producing the most watched, most controversial made-for-TV movie, THE DAY AFTER (1983). With irreverent humor and sobering apocalyptic vision, this film reveals how a commercial broadcaster seized a moment of unprecedented television viewership, made an emotional connection with an audience of over 100 million and forced an urgent conversation with the US President on how to collectively confront and resolve the most pressing issue of the time - nuclear proliferation.